![]() ![]() ![]() Section 107 contains a list of the various purposes for which the reproduction of a particular work may be considered fair, such as criticism, comment, news reporting, teaching, scholarship, and research. One of the more important limitations is the doctrine of “fair use.” The doctrine of fair use has developed through a substantial number of court decisions over the years and has been codified in section 107 of the copyright law. This right is subject to certain limitations found in sections 107 through 118 of the copyright law ( title 17, U. One of the rights accorded to the owner of copyright is the right to reproduce or to authorize others to reproduce the work in copies. PETER CUSHING : THE MAN WHO CREATED FRANKENSTEIN.'I Wasn't Cut Out For Office Work, Really' #PeterC.#MONSTERMONDAY MONSTERS OR NICE GUYS BAD LUCK?.RADIANCE RELEASES CUSHING LEE AND PRICE STRANGE AM.28 from complications of Alzheimers disease, his millions of fans are reminiscing about his impressive career. '#PETERCUSHING : 'THE MAN WHO CREATED #FRANKENSTEI. After comic actor Gene Wilder died on Aug.ON A SUNNY DAY LIKE TODAY WHITSTABLE 1992.and Frankenstein's monster is seen by his boots only. None of the film's established cast were included in the footage. so a whole new back-story was shot at Universal studios, where new and quite unrelated characters were slipped into the film. The problem was that 'The Evil of Frankenstein' came up short of duration of only 84 minutes and some scenes were deemed a little too intense for family viewing. 'Evil' would contain many of the Universal 'Frankenstein Tropes', and after it's cinema release would also be spread across the US television screens too. The bolts, the flat top and big boots, were all in!ĪFTER THE SUCCESS of 'The Curse of Frankenstein' and 'The Revenge of Frankenstein', Universal wanted IN, along with Peter Cushing as part of the deal. and a 'monster', after weeks of designing and drawing, that gave more than a wobbly nod, to the Universal creation. Hammer films, Anthony Hinds wrote a script that rebooted the series, no connection to either 'Curse' or 'Revenge'. AFTER TWO MOVIES of managing quite well in creating the 'look' of a new monster appearance, with stories too that resembled little if anything in common with the Universal Frankenstein films, fate somehow took hold of the steering wheel and tiller, and Universal relaxed their hold on the 'monster look' and story concepts, and invited Hammer films into their party. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |